This week’s installment is going to be a little different. Instead of focusing on a cover of a single song I figured I would put the spotlight on a band instead. Postmodern Jukebox, if you have not heard of them, is an assemblage of really talented singers and musicians who get organized by bandleader/pianist Scott Bradlee to perform re-imaginings of songs ranging from today’s biggest pop hits to classic pop from the last few decades.
Aretha Franklin joins the millions of YouTubers around the world who have made cover versions of the Adele hit “Rolling In The Deep” as part of her upcoming cover record, DIVA CLASSICS where The Queen of Soul sings songs made famous by other musical divas.
I have been in a bit of Burt Bacharach mood musically lately. Nothing soothes the savage beast like the polished production of the Bacharach oeuvre and while going through my iTunes collection of Bacharach songs I have listened to many of the same song being interpreted by different artists and it is something how Bacharach’s songs lend themselves to reinvention without ever losing that quality that makes them so recognizable as a Bacharach song. One song in particular that I have been having an auditory duel with is “I Say A Little Prayer”.
Now I know what you are thinking…who in the right mind would waste their time covering Technotronic‘s “Pump Up The Jam” of all songs? And their is no way it could possibly be any good, right?
Well the cover artists are a jazz trio from Canada called The Lost Fingers and they made the overly produced, synthesized dance hit from the 90s into a swinging, full-bodied jazzy barn burner that would get the flappers flapping in any speak-easy in the 1920s.
It has been a while since I have done one of these but the cover of this song inspired me to pull the old Cover Me Monday out of the mothballs. And don’t be alarmed this isn’t the Rick Astley song (that catchy bit of pop trifle is actually “Never Gonna Give You Up“) and you are not being Rickrolled either. Scout’s honor.
One of the crowning achievements of the Holland-Dozier-Holland production team and a bit of a departure from the established Supremes sound, this is one of my favorite songs by the Supremes as well as one of my favorite Motown songs ever.